Analysing images

Key parts of an image

7 visual elements
Figure 1: 7 visual elements
  • Firstly, it helps to build an awareness of elements within creative works.
  • Visual elements: these can include line, shape, colour, space, texture, value and form (see above). The elements can vary between disciplines. For an explanation, see these useful handouts on the elements of art and the visual elements in photography.
  • Composition: this is how these elements are arranged. See the principles of design from Getty Museum (2011).
  • Watch the video below to find out more about the elements of art.
The Elements of Art Video

Critical thinking

  • Apply critical thinking to images. This does not mean being negative or attacking someone’s work.
  • It begins with descriptive questions such as What? Who? When? Where?
  • Go deeper by analysing and evaluating: Why? How? What if? So What? What next?
  • Look at the diagram and questions below for guidance.
Image to show areas of object, context, process and critical analysis.

1. Object

  • What is it?
  • What is the subject matter?

2. Context

  • Who was it created for and by?
  • When was it created?
  • Where was it created or first exhibited?

3. Process

  • Which materials or techniques were used?

4. Critical Analysis

  • Why was it created?
  • So what might it represent?
  • How are the visual elements and composition used for effect?
  • How does it relate to your practice?

Tip

Use the PDFs below to find more questions. Aim for greater amounts of critical analysis in writing.


Understanding meaning

Diagram of the sign.
Figure 2: Image of the sign
  • Apply semiotics, the study of signs, to aid reading an image.
  • A sign has two parts: the signifier and the signified (Saussure, 1974).
  • The signifier is the physical form (what you see, hear, touch), and the signified is the concept that it refers to (Chandler, 2007, pp. 14-15).
  • Multiple signs often work together to give meaning.

Example of semiotics

  • The painting below is by Pre-Raphaelite artist John William Waterhouse.
  • It was created to represent lines from Tennyson’s (1832) poem,
  • Read the poem extract; then look at the table underneath to see how he may have achieved this.
Painting by Waterhouse - the Lady of Shalott
Figure 3: The Lady of Shalott (Waterhouse, 1888)

And down the river’s dim expanse

Like some bold seer in a trance,

Seeing all his own mischance –

With glassy countenance

Did she look to Camelot.

And at the closing of the day

She loosed the chain, and down she lay;

The broad stream bore her far away,

The Lady of Shalott.

What can be seen? (Signifier)
What could this represent? (Signified)
White dressPurity, innocence
Long sleevesDemure, lady-like
Dark coloursSombre event, dusk
Candles blown outFinality
BoatJourney

Specialist vocabulary

  • Use specialist glossaries, encyclopaedias or dictionaries to understand and learn new terms.
  • There are online glossaries available from MoMA (no date) and Tate (no date).
  • We also subscribe to the Grove Encyclopedia of Art.

The following sources were consulted:

Baldwin, J. and Roberts, L. (2006) Visual communication from theory to practice. Lausanne: AVA.

Chandler, D. (2007) Semiotics: the basics. 2nd edn. London: Routledge.

De Saussure, F. (1974) Course in general linguistics. London: Fontana.

Plymouth University (2010) Critical thinking. Available at: www.learnhigher.ac.uk/wp-content/uploads/Critical_Thinking1.pdf (Accessed: 8 April 2019).

Rideal, L. (2017) How to read paintings. London: Herbert Press.

Waterhouse, J.W. (1888) The lady of Shalott. Available at: www.tate.org.uk/art/work/N01543 (Accessed: 17 December 2019).

Williams, G. (2014) How to write about contemporary art. London: Thames and Hudson.


Image to represent eBooks available.

eBooks:

Read more about visual analysis, semiotics and design principles: https://tinyurl.com/vveaeus